*Nothing* earns a rating of 7/10; it’s an unusual, philosophically ambitious, and surprisingly touching low-budget Canadian comedy built around a premise that's purely surreal. Directed by Vincenzo Natali (*Cube*), the story centers on two lifelong friends, Dave and Andrew, who are constantly facing minor setbacks and terrible luck. Their lives take a strange turn when their surroundings begin to vanish—it starts with an annoying talking squirrel—and they realize they possess a peculiar ability: anything they both agree "is nothing" simply ceases to exist. What begins as a childish game of getting rid of things that bother them quickly becomes an existential crisis, as the entirety of their reality is threatened by being erased into a void created by themselves. **What Truly Stands Out:** * **A Bold Idea Done Right:** The film fully embraces its strange, metaphysical rules. The special effects, though intentionally simple, are effective in showing the unsettling, stark white emptiness that gradually consumes everything. This idea serves as a darkly humorous way to represent depression, denial, and wanting to escape from a painful reality. * **Witty Dialogue & Believable Friendship:** David Hewlett and Andrew Miller, who play the lead characters, portray a friendship that feels genuine and well-established. Their sharp, cynical conversations drive the film forward, making their descent into cosmic erasure both humorous and strangely sad. The humor is understated and fits perfectly with the film's detached look at complete despair. * **Unexpected Emotional Resonance:** Despite its absurdity, there’s a real, melancholic core to the story. It becomes an exploration of the connections that keep us tied to existence, even when things are bad, and the frightening freedom (and loneliness) that comes with being able to erase everything. The final part of the film achieves a quiet, poetic impact that lifts it beyond its comedic elements. **Why It Doesn’t Score Higher:** * **A Somewhat Repetitive Feel:** The middle portion can feel cyclical as the characters continue erasing parts of their world. While this mirrors their feeling of being stuck, it might test some viewers' patience. * **Limitations Due to Budget:** The film’s visual style is intentionally plain and confining, which supports its theme but may not be visually appealing to everyone. Some of the more elaborate scenes involving things disappearing show the limitations of their budget. * **A Specific Kind of Film:** This is philosophical cinema disguised as a slacker comedy; it's a niche offering. Its particular combination of existential dread and dry humor won’t appeal to all audiences. **Final Thoughts:** *Nothing* is an inventive, brave, and unexpectedly moving cult film. It’s a minimalist thought experiment that uses its limited resources to tackle big ideas about meaning, friendship, and the desire to exist. While its pace and visuals might not be for everyone, those who connect with its unique style will find it a funny, bleak, and ultimately memorable experience that lingers long after the 70-minute runtime ends. It’s a hidden gem for fans of high-concept, dialogue-driven indie sci-fi. **Recommended For:** People who enjoy existential, low-budget science fiction (like *Cube* or *Coherence*), dark philosophical comedies, or films about nihilism and friendship. **Not Recommended For:** Viewers who prefer traditional storytelling, fast-paced action, or polished visuals. It’s a talky, conceptual film about two guys making the universe disappear from a suburban living room.

Source on TMDB