Bruno Ganz portrays “Harker,” who journeys to a secluded area of Transylvania on a mission to assist “Count Dracula” (Klaus Kinski) in acquiring a residence in Wismar. The reason for this stems from the Count’s infatuation with a photograph of Harker's wife, "Lucy" (Isabelle Adjani), and his desire to make her an eternal bride. Despite warnings from local residents regarding the perils of visiting the “Count,” Harker continued forward, so he shouldn't have been taken aback when his host fled his castle aboard a ship carrying coffins, soil, and a swarm of deadly rats with the intention of capturing his unsuspecting wife. Will he be able to return home quickly enough to prevent this wickedness? The narrative’s sequence of events doesn’t offer anything particularly novel; it's the way the characters are presented that sets this apart. It becomes clear early on that "Dracula" is not like other people. Departing from most portrayals of the central figure, Kinski and Warner Herzog try to give “Dracula” a sense of humanity. He indiscriminately satisfies his desires, spreading disease and destruction wherever he goes, but he too suffers under a curse—his own immortality and his quest for some form of satisfaction. This isn't a portrayal filled with sharp fangs and gore; it’s more understated, even elegant, depicting a character who is almost impossible not to pity. The film's production values haven't aged well, occasionally evoking comparisons to certain "Sherlock Holmes" revivals, but the core story still feels distinct from the typical representation of this symbol of evil and is worth experiencing.

Source on TMDB