Released in 2001, "No Such Thing" originally went by the title “Monster,” a name that seems more fitting given the film’s central figure. This monster, portrayed by Robert John Burke, is an odd combination of Satanic imagery, reptilian features, and general grumpiness. He's been around for ages, essentially immortal, and lives in isolated solitude on an Icelandic island where he occasionally terrorizes locals, kills people, and breathes fire. Sarah Polley plays Beatrice, who’s tasked with investigating the local legends surrounding this creature. After a difficult experience, she encounters him and feels compelled to end his suffering. Helen Mirren takes on the role of a repellent news executive, while Julie Christie portrays a doctor helping Beatrice recover. It's an unusual dramedy/fantasy that stands apart from other films, leading to mixed reactions; there really "No Such Movie" quite like it. The film manages to blend profound evil with genuine spirituality alongside doses of comedy, drama, satire and tragedy. It’s not surprising that it’s an American Zoetrope production—a studio founded by Francis Ford Coppola and George Lucas in the 1970s, known for its filmmaking expertise that generally avoids the "blockbuster" formula. Coppola himself serves as executive producer. While “unique” doesn't always translate to “great,” I found myself enjoying "No Such Thing" more on a second viewing than I did initially when my wife and I saw it in 2011. Though there are parts that feel tedious, the monster is often genuinely funny, and the spiritual elements resonate strongly. I eventually grasped what the film seems to be about—at least, according to my understanding. It’s this underlying meaning that elevates the movie beyond mere entertainment and justifies my rating of a B grade. The film runs for 1 hour and 42 minutes and was filmed in Iceland and New York City. ***SPOILER ALERT*** (Don't read further unless you've seen the film) Imagine possessing immortality—what would you accomplish? Think about the potential for learning and growth! You could explore the cosmos, uncover life’s biggest mysteries. Now consider being indestructible and imagine using that power to be a force for good, eliminating evil wherever it exists. The monster in this movie has these gifts but doesn't utilize them. Instead, he wallows in self-pity, drinks alcohol, insults people—or threatens and kills them—and wishes for death. The creature represents individuals who are given the gift of life and squander it on harmful habits or use it to complain, hate, lie, steal, abuse, destroy, and murder. It’s no accident that he resembles Satan himself; these types of people surround us. Now imagine those miserable, unpleasant individuals were immortal—what would they be like in a million years? They'd resemble the monster in this film. The media executive (Mirren) is roughly 60 years old and is on a similar path as the creature, as are other characters featured in the story. Beatrice functions as a Christ-like figure who symbolically dies and is resurrected. Like the Messiah, she responds with love to the hatred, crime, and self-destruction that plague the world. When she meets the monster, she determines there’s no hope for him; he lacks love or goodness, and isn't capable of redemption. The most compassionate thing she can do is help him achieve his ultimate desire: destruction. This destruction mirrors concepts like the lake of fire or "second death," where the Bible states God will “destroy both soul and body” (Matthew 10:28). This serves a purpose similar to Beatrice’s actions—it's an act of compassion. Given that Beatrice is portrayed as this saintly figure, why does she engage in a casual encounter at the film's conclusion? Because she represents a type of Christ and remains entirely human, susceptible to moral failings. She falters after prolonged exposure to the irredeemable creature. The apostle Paul expressed it like so: “Bad company corrupts good character.” That’s why Beatrice admits her fear of the monster while simultaneously embracing (loving) him—she needed to fulfill her duty and compassionately end his suffering because his inherent evil was beginning to affect her.

Source on TMDB