W2TCH

No Name on the Bullet (1959)

1959 • 1h 17m • Action, Western • Approved
On October 3, 2026
#42316
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All reviews

John Chard on No Name on the Bullet

8/10 · Jun 20, 2015

It’s unsettling because while he might seem harmless, the events unfolding are ultimately his responsibility. John Gant is an assassin for hire; when he enters a town, everyone wonders who’s on his list. He’s a clever killer—he avoids arrest by never initiating violence, instead manipulating his targets into firing first and always ensuring there are witnesses nearby. Now, John Gant has arrived in Lordsburg, and life will never be quite the same. Presented in CinemaScope and Eastman Color. Directed by Jack Arnold, the film begins with sweeping views of hills and a wide landscape (cinematography by Harold Lipstein). A man dressed impeccably in black rides past on a gleaming horse, increasing his speed as he gallops over the terrain, then enters Lordsburg with an air of elegance and composure. This is John Gant, played by Audie Murphy, and for me, it’s the introduction to one of the finest Western characters you won't find on typical critics' lists. Audie Murphy had his detractors; he wasn't particularly eager to embrace fame or cater to reviewers, but here as Gant, he delivers a performance of remarkable coolness that I think silences any skeptics. His arrival in Lordsburg creates immediate panic within the town, relationships crumble under suspicion, while Gant observes them with subtle smiles and quietly insightful remarks. The film gains some much-needed emotional depth when Gant develops an unusual connection with Dr. Luke Canfield, portrayed by Charles Drake, and the ending provides a very satisfying conclusion. The movie brought to mind an episode of *The Twilight Zone* called "The Monsters Are Due On Maple Street." It's a strong narrative foundation {written by Howard Amacker}, because it’s morally ambiguous and features characters constantly on edge, fearing their wrongdoings will catch up with them. My only real criticisms are that the film feels too brief—I don’t know if it was due to budgetary constraints or limitations in the acting—but at just 77 minutes, I believe another 15 minutes would have been beneficial to fully develop the ending. Also disappointing is the limited use of exterior shots showcasing the beautiful scenery, especially after such an impressive opening sequence. Nevertheless, the film works exceptionally well and I wholeheartedly recommend it even to those who aren’t fans of Westerns. 8/10

Source on TMDB