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Network poster

Network (1976)

1976 • 2h 2m • Drama • R
On September 22, 2026
#1911376
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All reviews

The Movie Diorama on Network

9/10 · Jan 16, 2020

The pervasive influence of media distortion is presented as a form of societal corruption, conveyed through satirical language that seems to encourage chaotic behavior. “I’m as mad as hell, and I’m not going to take it anymore,” Howard Beale shouts from behind his studio desk. He projects his unsettling madness onto viewers who passively watch news broadcasts built on misrepresentation and propaganda. His words, intended as a voice for ordinary people, overlook the underlying power of American corporations that shape political processes. Considering an era where actors can represent regions and businesspeople can become national leaders, Lumet’s commentary on democracy feels increasingly relevant with each year. The film is a critique of America's financial structure, where massive stock markets seem to dictate individual freedom. Broadcasting companies prioritize competition for viewers and ratings, leading to fabricated stories instead of honest reporting. This system takes advantage of people’s vulnerabilities to satisfy the ambitions of those in charge, capitalizing on human gullibility. Network shows how false narratives are communicated today. As technology advances, we become more vulnerable to what is presented as truth. Like sponges, we absorb information from screens, and Lumet uses exaggerated satire—including plots involving assassination and suicide—to offer a harsh look at broadcasting companies and their methods, which are driven by stock values and ratings. He demonstrates the significant power of television and its ability to communicate, transforming what begins as a comedic satire into something akin to a terrifying experience. The film benefits from strong performances across the board, notably Dunaway’s captivating portrayal, Finch's descent into madness, and Holden’s controlled demeanor. The poetic dialogue immediately engages viewers with its detailed language that incorporates elements of existential thought. Lumet’s extended scenes allow the actors to ironically mesmerize, amplifying the impact of the story. His direction effectively plunges you into Beale's mental state while also balancing the intensity with sharp observations. The romantic relationship between Dunaway and Holden felt like an underdeveloped element, reinforcing her character’s focus on work and portraying her as a corporate entity rather than someone capable of genuine emotion. Aside from that minor issue, Network is worthy of its widespread praise. It's a deeply insightful depiction of the American system, exposing the deception behind idealized democracy while also illustrating how television can erode our humanity. These are unsettling times...

Source on TMDB

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