It’s a challenge when a story has an inescapable ending; ultimately, enjoyment rests on the strength of the script and performances. Heath Ledger delivers a solid performance as the lead character, portraying an Australian man with Irish (and criminal) roots who repeatedly clashes with the often-unscrupulous police force. He decides to take things into his own hands, joining forces with his brother Dan (Laurence Kinlan), Orlando Bloom (as Joseph Byrne), and others, effectively becoming an Australian version of Robin Hood—determined to correct the stark inequalities in Victoria and New South Wales. Bloom’s accent feels reminiscent of "Finian's Rainbow," but Naomi Watts is convincing as Julia, and Kris McQuade portrays his mother Ellen well. Geoffrey Rush appears as someone brought in by the government to head up the pursuing police officers, though his typically commanding presence doesn't quite resonate—he simply lacks sufficient material to work with. Keen viewers might notice Charles Tingwell (evoking "Inspector Craddock") later on. The film contains violence but isn’t excessively brutal; it illustrates the circumstances that pushed Kelly toward his actions, and while he doesn't entirely dislike his situation, he does possess a sense of morality. The attention to detail is commendable, providing insight into the poverty they endured, and the writing and direction maintain a brisk pace. Based on my limited knowledge of the man and his group, this isn’t a completely faithful representation of their short period in the public eye, but overall, it's a worthwhile viewing experience.
On September 26, 2026
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