A survey recently declared that English accents are considered the most attractive globally. It’s unlikely that “Prof. Henry Higgins” (Rex Harrison) was aiming for this kind of recognition when, annoyed by the way people spoke in London, he decides to take "Eliza" (Audrey Hepburn), a flower girl, under his wing and promises his well-to-do friend "Col. Pickering" (Wilfred Hyde-White) that he can train her to convincingly impersonate a Duchess within high society. Despite her initial objections – which actually highlight his argument – the two become locked in a power struggle that ultimately forces them to reconsider their views of one another, and it’s possible to wonder if something more develops... Harrison is excellent as the cheerfully arrogant professor who seems to look down on everything and everyone around him; Hepburn does an impressive job portraying her transformation from "gutter snipe" to refined lady, aided by Marni Nixon's singing. Stanley Holloway also provides some memorable performances as her (somewhat greedy) father, Gladys Cooper shines as his perceptive mother, and Theodore Bikel is amusingly definitive as “Prof. Karpathy,” who famously determines that our unfortunate "Eliza" is actually Hungarian! George Cukor has crafted a vibrant, witty, and captivating adaptation of Shaw’s original story, accompanied by a score from Lerner and Loewe featuring some truly remarkable lyrics: "Why Can't The English" and "I Could Have Danced All Night," along with Holloway's hilarious "I'm Getting Married in the Morning." In an era dominated by overly sensitive and politically correct portrayals, I believe audiences could benefit from watching this clever critique of intellectual and social “superiority” and seeing what happens when merit prevails – even if the victor isn’t male.

Source on TMDB