The film opens with depictions of American news coverage surrounding the tragic events at the Munich Olympiad, where eleven people were killed by the Palestinian "Black September" organization. The Israeli government is then confronted with a challenging situation as they try to locate those responsible. Faced with delicate political and diplomatic considerations, they decide to enlist five independent operatives for the task. This team is headed up by "Avner" (Eric Bana), who works at a distance from "Ephraim" (Geoffrey Rush). The story follows these men as they pursue their mission, aided by "Louis" (Mathieu Amalric), who provides significant financial backing to obtain information about the whereabouts of those they are hunting. It's important to understand that this isn’t driven by a desire for justice; it is purely motivated by revenge. There's no intention to apprehend anyone alive, though some effort is made to minimize any unintended consequences—particularly since their actions largely occur outside of Israel. The situation takes a turn when one of their operations goes terribly wrong, leading them to suspect they are being manipulated by others for ulterior motives. At its core, the narrative explores themes of vengeance and retribution; while I initially felt some understanding toward that impulse, I ultimately found the violent actions of these men—who believe they’re justified in killing—to be increasingly difficult to excuse. Bana struggles to bring depth or humanity to his role, and although Rush makes an impact during his screen time, the rest of the cast delivers a rather uninspired performance, contributing to what seemed like an escalatingly regrettable series of events that would inevitably lead to further cycles of revenge. I believe Steven Spielberg has presented this film in a way that encourages discussion and critique—not only regarding the initial senseless tragedy but also about the pointlessness of perpetuating a cycle of violence. Michael Lonsdale’s portrayal of "Papa," a seemingly peaceful man living with his family in rural France, effectively illustrates how these kinds of conflicts rarely have any true victors – and those who benefit are often detached from the real consequences. Amalric is well-suited to these somewhat shady characters, but beyond that, I was generally disappointed by this lengthy film.

Source on TMDB