It’s certainly something to look at, though the narrative doesn’t really earn the time investment. Like many others, I enjoyed “Amelie” immensely, but “Delicatessen” didn’t click with me. Still, I remained interested in Jean Pierre Jeunet's work and decided to see this film. While I was struck by how visually impressive it is—which isn’t unexpected given the director’s signature style and fondness for green hues (noticeable in "Amelie" and again dominating the color scheme here)—it ultimately felt like “Delicatessen” reborn: a peculiar, gloomy, and unusual experience. It's stranger than some of Tim Burton’s films, which is saying something. The film relies heavily on its visuals and special effects; it’s clear Jeunet had a hand in that effort. The cinematography is strong, the camera work is excellent, and the sets are worth noting. Jean Paul Gautier designed the costumes, so they're essentially haute couture—complete with all the usual eccentricities. The music also fits well. The cast is extensive, and the characters are complex and hard to grasp. Some seem like caricatures or figures from a sideshow attraction. I did appreciate Dominique Pinon’s performance; he’s one of France's finest actors and portrays multiple versions of himself. Ron Perlman is also suitable for this type of film, though it seemed he wasn't entirely comfortable with his role or the material itself. It’s possible a language barrier played a part in that impression I got. Fundamentally, the movie paints a depressing and decaying picture of a futuristic dystopia where a deranged scientist abducts children to steal their dreams. The storyline has echoes of “The Island of Dr. Moreau.” There are also two Siamese twins who serve as the primary antagonists and act in an incredibly bizarre manner, alongside a strong man searching for his younger brother—who, like many others, was taken—with the help of a girl. However, everything else is exceptionally convoluted. It seems the script wasn't given enough consideration: some sections are underdeveloped, certain plot points don’t connect, and there are odd turns that seem to exist solely to make things stranger. As a story, it’s an irritating and ultimately unsatisfying film.

Source on TMDB