Bogart may be the most recognizable name connected with this movie, yet the strongest acting comes from Billy Halop, playing "Johnnie." He becomes involved with small-time crook “Wilson” (Bogart). Wilson takes a weapon belonging to Johnnie’s brother-in-law, and when that gun is used in a murder, it's the fiancé, "Fred" (Harvey Stephens), who is sentenced to death. Not long after, the two young men find themselves behind bars for another offense, which is where things become more engaging: the younger man realizes “Fred” is innocent and struggles with his conscience, alongside his unreliable companion, attempting to do what’s proper. The script feels overloaded, and the plot progresses slowly, but it picks up momentum eventually; Halop (just 19 at the time) delivers a respectable performance, supported by Henry Travers as "Pop" and Gale Page in the role of his sister “Madge.” Bogart seems to be simply going through the motions—he was exceptional in tough crime noir films, however this one feels overly predictable, with a clear setup, development, and resolution that prevents it from being truly thrilling. It’s fine to watch, but I don't anticipate it sticking with me for very long.

Source on TMDB