Judy Hollday brings a pleasant performance to her role as Florrie, a woman petitioning for divorce from Chet, portrayed by Aldo Ray. The story begins with the couple in the midst of legal proceedings before a judge, but when the lawyers are dismissed, they’re left to confront each other directly. A central question arises: is their relationship beyond repair? This prompts them to recall how they initially met, experienced love, and ultimately arrived at their present circumstances. It's this exploration of their past that proves most effective. While there isn't a sense of significant danger throughout, the chemistry between Hollday and Ray is undeniable as we observe their lives unfold in a manner that’s frequently entertaining. George Cukor effectively portrays the challenges inherent in domestic life, including the arrival and influence of their children – experiences likely familiar to many viewers observing a typical family dynamic. A pivotal event sets them on diverging paths, presented in a believable way. The film avoids resorting to dramatic displays of anger or substance abuse that often characterize portrayals of characters dealing with trauma. There’s a particularly poignant moment featuring Holliday singing a song accompanied by a ukulele, which seems to encapsulate the overall feeling of the movie, and I found it quite enjoyable.

Source on TMDB