The film "Dean" (Lucas Near-Verbrugghe) centers on an eye exam, which serves as the initial setup. Following this, he receives a communication from his former partner, “Alex” (Aaron Costa Ganis), leading them to arrange a meeting in Joshua Tree National Park. Having established separate lives over the preceding fifteen years since their relationship concluded unexpectedly, director Tom Kirkman appears to be offering a portrayal of a gay man experiencing a mid-life phase. The two men quickly rekindle some of what they once felt for each other; there is an abundance of sexual encounters—"Dean" is disrobed for a significant portion of the film—and extended, deeply personal conversations as they explore their histories, current circumstances, and future prospects. The visual style is well-executed, not only showcasing the park’s beauty but also effectively communicating the closeness between the two characters as they connect and confront each other in their adulthood. However, the narrative feels predetermined, and the conclusion was disappointing. It didn't require a cheerful resolution—or even a tragic one—but it felt so abrupt that I almost anticipated one of them would simply awaken from what had transpired.
On September 25, 2026
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