I spent the entire afternoon just wandering around in a park. You see these two lovers—they’re sweet but awkward—moving through the space, one along a roadside bathed in weak light, the other deeper within the foliage, where hidden things lie and intimacy can flourish. Being a teenager and falling in love is certainly among the most powerful experiences life has to offer; it's something that sticks with you. It’s a lesson in harshness, ideally experienced when everything feels good, like a burning passion. The park itself seems to reflect these complicated first loves, especially along the coastal path. Two people who don’t quite know what to do with themselves are too close, wanting to embrace but pulling away, realizing that giving in to desire might mean losing something precious. Or maybe there's a way to undo it all, as Damien Manivel suggests in his instructions. The park becomes genuinely magical when night arrives, and the main character begins using cleverness in a desperate effort to change what’s already happened. Unintentionally, she draws on ideas from quantum physics—the notion that time doesn’t truly exist and could even be erased. Damien Manivel tells a remarkably touching story with great care, avoiding sentimentality or unnecessary embellishments. It's short and sharp, like a late-night text message. Benoit Forgeard, filmmaker
On October 4, 2026
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