Miss Sweden and Scooby Doo. Screaming Mimi is the product of Gerd Oswald’s direction and a screenplay by Robert Bless, based on a novel by Fredric Brown. The cast includes Anita Ekberg, Phillip Carey, Gypsy Rose Lee, and Harry Townes; Mischa Bakaleinikoff composed the music, and Burnett Guffey was responsible for the cinematography. Following an unsuccessful assault with a knife by someone unstable, a woman’s mental state deteriorates, leading to a stay in a sanatorium. During this time, she becomes the focus of her psychiatrist's intense interest. Great Dame With A Great Dane! This is a peculiar psychological film noir that veers towards horror, though Screaming Mimi ultimately feels a bit too eccentric. The movie also suffers from underwhelming portrayals; Ekberg seems to be present primarily as an object of visual appeal, and Carey delivers a rather bland performance. Despite this, it’s a captivating film—a sort of train wreck you can't help but watch. Psycho Schematic. The whole thing is lurid, overtly sexual, and completely bizarre; the kind of movie that would be significantly better with strong drinks. The people in this story are oddballs, which provides some amusement, and the existence of places like Gay “N” Frisky and El Madhouse immediately signals you’re navigating a warped city filled with sin and carnal cravings. However, Oswald and Bless appear unsure how to utilize all these provocative elements, resulting in a narrative that feels muddled and occasionally flat. Gypsy Rose Lee is excellent as she moves between being controlling and a seductive business owner, as is Townes, who contributes to the sense of mania permeating the film. Guffey and Bakaleinikoff provide dependable technical contributions, and the jazzy music from Red Norvo is a nice addition. It really had the potential to be something special—the story and initial setups were full of promise—but it ultimately falls short as a superficial Freudian-style melodrama. 5/10

Source on TMDB