It’s films such as this that we really need more of. It was obvious that the production didn’t have a lot of money to work with. There were repeated shots of a helicopter flying across the screen, seemingly just for effect, and at the beginning, during the initial scenes, there were numerous similar depictions of military movement. The film's settings were limited, and it seemed like they chose them without spending much time or effort finding ideal locations. The special effects weren’t elaborate, nor were the sets or even the background performers. Despite all that, it remained gripping and enjoyable to watch. It managed to create a very confined feeling at times, even though most of the action took place in a single farmhouse. A genuine sense of peril was established, which was heightened by the presence of an infant during a dramatic shootout. Everything was accomplished with minimal resources—and it's true that this was a Dutch film from the 1980s, but even by Hollywood standards, it was low-budget. This demonstrates what can be achieved creatively when financial constraints are present. Instead, studios are squandering huge sums on large-scale productions that include controversial political themes and seem designed to alienate audiences—likely because those films lost money, instead of producing more projects like this one to offset the losses. These kinds of movies won’t become major box office successes, but they don't have to in order to make back what was spent. Occasionally, a film might unexpectedly find a wide audience, such as *Se7en* did, but studios could create several films like this to cover the cost of one expensive production that may or may not be successful (but has a better chance if it avoids politics and doesn’t antagonize viewers).

Source on TMDB