Thiranthidu Seese starts with a really compelling idea: a whodunit centered not on murder, but rape. Charmi’s character is also a real strength; she's portrayed as an independent woman who enjoys going out alone, drinks and smokes, and dresses in modern clothes, yet understands that this doesn’t give anyone the right to take advantage of her. After waking up in a bar lounge and realizing what happened, she immediately takes action, suspecting one of the bartenders—who had been paying close attention to her—of assaulting her. The two men involved certainly seem suspicious. They try to buy off the police with free alcohol, hire a pimp, and openly talk about sleeping with other women who frequent the bar; they are also heavy drinkers. John, who is married, needs regular shots of alcohol just to function normally, while Hussain seems somewhat clumsy (he can’t even bring himself to say “rape,” instead referring to it as "R"), but something doesn't quite add up about him either. Despite this, both men strongly deny Charmi’s accusations and call for a doctor—who turns out to be a psychiatrist—to assess whether she was actually assaulted. The doctor confirms the assault, which only deepens the mystery. The first half of Thiranthidu Seese is quite captivating; even though the entire story unfolds within the pub, there's a lot happening and you’re left wondering what will happen next. The explanations offered by each character feel reminiscent of Rashomon, leaving everyone as uncertain about the events as those involved. Through Charmi, the director raises some important points about societal perceptions of women. When John attempts to comfort her by suggesting she dismiss the incident as a bad dream, she sharply questions whether he would say that if it were his sister or girlfriend who had experienced this. Dhanshikaa delivers an excellent performance in this role, capturing both Charmi’s vulnerability and her strength. You can feel her pain and her determination to seek justice—she even refuses to involve the police, choosing instead to act as her own victim, judge, jury, and executioner. However, after the interval, the film takes a sharp turn into something entirely different; what appeared to be an edgy story about female empowerment transforms into a melodramatic movie with an obvious anti-alcohol addiction message—it feels like a very long public service announcement against drinking. The focus also shifts from Charmi to John, and we're given a lengthy backstory explaining his descent into alcoholism. This explanation is predictable and ultimately makes the film feel drawn out. It’s hard not to wonder if the director lost sight of what he had so effectively established earlier; the ending feels rushed and the final twist is awkwardly presented, leaving you feeling disappointed. Despite this, there's a spark of talent in the director that makes you want to acknowledge his potential, especially considering this is his debut film.

Source on TMDB