It's hard not to wonder how Narathan managed to be produced. It seems likely those involved simply heard the basic idea and assumed they were creating something worthwhile. The concept isn’t inherently flawed, but it requires a strong script and capable direction—things that are noticeably absent here. Naga Venkatesh’s writing feels juvenile, and his directing is all over the place, making you restless within minutes of starting the movie. Nakul portrays Vishnu, who meets Maya (Nikesha Patel) on a train. He rescues her from some men pursuing her, but doesn't even inquire about their reasons. His uncle (Radha Ravi), a film producer, has invited director Narathan (Premgi Amaren) to share his story. As Narathan recounts his narrative, we discover that the same occurrences are unfolding simultaneously in Vishnu’s life. The director spends the first half of the movie having characters constantly chase after each other. Vishnu and Maya are pursued by thugs; they're also chased by his uncle’s bumbling assistants—a trio led by MS Bhaskar. A friend of Vishnu’s is tangled up in this mess, as is Maya’s (who is actually Shwetha) boyfriend. And then there’s Sowmya, Vishnu’s childhood sweetheart. There's even a large dog thrown into the mix! Sometime during the second half, the director seems to realize that the audience is close to falling asleep and finally decides to explain why Maya/Shwetha is being pursued. It involves a school administrator focused on money (Subbu Panchu), and the film makes some comments about education becoming commercialized, but by this point, you’re just desperate for it to be over. Another twist emerges—the story Narathan was telling was actually penned by Power Star Srinivasan. That's probably the only moment when the film feels coherent.

Source on TMDB