Sakalakala Vallavan follows a familiar storyline, mirroring the 1982 film of the same name—a villager wins over a city girl. However, while that earlier movie, despite its problematic and outdated views on women, managed to be somewhat enjoyable, this one proves frustrating from beginning to end. Sakthi (Jayam Ravi), who is the son of a local politician, finds himself falling for Anjali (played by an overweight actress in revealing clothing), Chinnabuthi’s (Soori) moraponnu, and they are constantly at odds. Circumstances lead Sakthi to marry Divya (Trisha, looking weary), a city girl, because his father (Prabhu) insists upon it. Yet, what Divya truly desires is a divorce. The plot adheres to a predictable pattern, but the real issue lies in its careless execution. The filmmakers seem to believe that referencing previously popular scenes will automatically make something funny. As a result, viewers are subjected to an endless series of references—from Mouna Ragam to Singam—woven into the dialogue, character names, and background music. The film also attempts self-awareness by announcing when a song is about to begin; however, this only serves to highlight how tired and unoriginal the formula feels. Even the action sequences rely on well-worn tropes: an explosion of a bus, fighters falling onto props, the hero clenching his fist—you know the drill. When references run dry, the film descends into outright sexism, with jokes at the expense of domestic abuse (depicting slapping as a means of control), implied rape (the hero threatening to assault the heroine because she refuses intimacy), and molestation (a scene where the hero accidentally falls on top of heroines in an attempt to portray romance). The characters are also poorly developed, exhibiting inconsistencies. A woman who claims independence readily agrees to marry someone she doesn't care for without protest; a father who forces his son into a loveless marriage encourages them to make their own choices; and the protagonist aids an opponent’s victory—and his father’s defeat. The final act feels excessively long, crammed with product placement and lacking any real engagement even after the climax has passed. Sakalakala Vallavan is so exceptionally bad that it casts a shadow on everyone involved in its production, prompting questions about how such a film could have been made. It falls squarely into the category of movies you wonder about—what were the director’s intentions when writing this ‘script’? What led the producers to invest in this project? Why did the actors agree to participate? One even starts to question their own judgment for having chosen to watch it. The film runs for two and a half hours, and that's the only question you want answered by those responsible.

Source on TMDB