Some movies are captivating because of their surprising plot developments, while others suffer from an excess of twists that become frustrating. Yaagavarayinum Naa Kaakka (YNK) falls into the latter group. The film opens with a scene set on January 1, 2015, showing a badly injured man and woman being dragged across the floor by someone whose face remains unseen. Then, the story shifts to the present day, where Saga (Aadhi) is in Mumbai. His injuries are visible, and through narration, he explains that he’s on a perilous mission. We see him purchase a gun and pursue Mudaliar (Mithun Chakraborty, making his Tamil film debut), a notorious gangster. It initially seems like this will be a revenge story similar to *Gajini*, but Saga then begins recounting how he arrived in this situation. We are introduced to his three friends — Shiva, Rajesh, and Kishore — all from wealthy families. Saga comes from a middle-class background and often faces scolding from his father and affection from his mother. Kayal (Nikki Galrani), an adventurous young woman who has feelings for Saga, is also present. Things proceed smoothly until New Year's Eve when one of the friends starts harassing Priya (Richa Pallod), a girl on a date at a hotel. The police don’t intervene due to the boys’ influential families, but no one realizes who Priya actually is: she’s the daughter of the powerful Mudaliar, and she vows revenge within 24 hours. She then disappears, and his friends go into hiding. Consequently, Saga becomes a target of Priya's brother, Guna. Now, Saga must summon all his courage to protect himself and his friends. Until its final twist, YNK is a well-made action drama, and debut director Sathya Prabhas keeps the audience guessing about what will happen next. He provides an engaging plot, characters that are easy to relate to, a romantic subplot that occasionally feels unrealistic and drawn out but still manages to be charming, and a mystery that holds your attention. Yes, too much time is spent on establishing the groundwork, and the main action doesn't really begin until the second half, but these early scenes aren’t dull. The way the conflict arises is also noteworthy — it’s the hero’s friends and the hero himself who are responsible for creating trouble. However, that unnecessary twist at the end completely undermines everything positive that came before. The film transitions from a gangster story into a psychological thriller, and just when you think resolution is near, it devolves into an absurdly violent sequence that elicits laughter for all the wrong reasons. The attempt to celebrate friendship above all else feels disappointing, and seeing Saga willing to risk his life for his friends raises the question of why he doesn’t extend the same consideration to his own family, whom he has put in considerable danger. It's a case of being so close yet so far.

Source on TMDB