It’s quite something that the film’s notoriety comes from an interruption—the theater actually paused it for an interval! It’s a shame for Mohamad Issack, who created a movie recognized by Guinness World Records as the longest uncut feature, because this break diminishes his accomplishment. Really, this unexpected pause speaks volumes about the value of Issack's work. As you watch, it becomes clear that what drove him wasn’t grand vision or even the story itself, but rather the need for a striking gimmick to lure in viewers. It feels like novelty for its own sake, and nothing else. The storyline borrows heavily from Karthik Subburaj's influential Pizza. Where Pizza presented a single person isolated with a ghost, this film features four characters terrified by a supernatural presence within a house. The distinction is that while Vijay Sethupathi was the central figure in the earlier movie, here we have victims who are all dishonest individuals involved in distributing expired medication and silencing those who attempt to reveal their crimes. There's also a surprise near the conclusion, mirroring Pizza’s structure. And like that film, this one was made with very limited resources. However, those similarities end there. While Karthik Subburaj’s movie stands as an impressive demonstration of what a skilled director can achieve on a small budget, Agadam serves as a warning—digital technology may allow anyone to make a film, but it doesn't mean everyone should. It’s excessively long and features a poorly written script, inexperienced acting, low-quality cinematography, generic music, and unintentionally humorous moments; there isn’t anything worthwhile about it. The real terror isn't what the characters face, but what we, as viewers, are subjected to.

Source on TMDB