The film could possibly have resonated more if the female characters were competing for the attention of actors like Errol Flynn or Clark Gable. George Nader, however, doesn’t quite manage to embody the role of the attractive man desired by the aging Hollywood star "Vanessa" (Hedy Lamarr), whom he rescues from an accident on set. His appeal quickly extends to the daughter of one of these women, "Penny" (June Powell), whom he also saves—this time from a party guest with inappropriate intentions. What follows involves “Chris” attempting to navigate the affections of both women while maintaining distance from some predatory figures. It's not entirely inaccurate to compare this to a daytime soap opera. The storyline features unusual, somewhat humorous turns as it progresses along a familiar path of family conflict and rivalry, culminating in an ending that lacks originality. There’s something genuine about Lamarr’s performance; perhaps her character mirrored her own diminishing standing in Hollywood, allowing her some freedom to be more expressive. It's also worth mentioning Jan Sterling’s sharp portrayal of "Lily"—a woman always ready with a cutting remark. I couldn't help but consider how much stronger the film might have been if it had been produced during the pre-code era, and its explicit sexual themes were allowed to develop further; as it stands, it feels rather formulaic. It’s still enjoyable enough to watch, though.

Source on TMDB