It has to be acknowledged that considerable work went into crafting this biographical film about the figure who guided the Jewish people from Egyptian bondage to the promised land. While the language isn't as old-fashioned as portions of the original biblical story, it does succeed in capturing some of its solemnity—particularly when Burt Lancaster embodies Moses. Admittedly, he occasionally leans too heavily on sincerity, especially later in the film, but generally, he maintains a commendable level of control. He receives support from Sir Anthony Quayle, whose spirited speeches as high priest Aaron are also noteworthy, and Ingrid Thulin provides a dependable portrayal of Miriam. However, these three actors aren’t quite able to overcome the film's slow tempo or the rather blandness of the rest of the performers. Laurent Terzieff’s performance as the Pharaoh is a prime example of this shortcoming, though Mariangela Melato doesn’t fare much better in her role as Moses’ adoptive mother, Bithia. It certainly can’t match DeMille's "Ten Commandments" (1956) regarding spectacle, but I believe it might surpass that film when depicting their journey across the desert, struggling to survive on meager resources. The movie also sheds some light on the fact that harmony wasn't always present among the tribes; that temptation was a constant presence for many and that, as readers of the Book of Exodus may know, their God wasn’t invariably simple to please! It lacked the necessary funding, and Gianfranco De Bosio didn’t possess the creativity or scope needed to produce something truly captivating. There are some decent scenes—though the parting of the Red Sea probably isn't one of them—but it would have benefited from a stronger, more memorable supporting cast and more streamlined direction.
On October 4, 2026
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