This Dutch film offers an unexpected sense of ease as it portrays a group of young people of Moroccan descent living in the Netherlands. Like several European nations that have experienced increased immigration from North Africa and Turkey over recent decades, the Netherlands also possesses its own unique cultural influences. However, this integration hasn't always been smooth, particularly in recent years when young Moroccans have faced negative stereotypes. It’s a welcome change to see a film—reportedly the first in Dutch history with a predominantly Moroccan cast—addressing these frequently discussed and serious subjects with such an unusual lightness of touch. The narrative focuses on Ab (-dullah) and his family. He's contemplating settling down, much like his older brother Sam (portrayed by well-known Dutch comedian Najib Amhali), who works as a police officer. Ab is considering securing stable employment and marrying a Moroccan woman from Morocco. Yet, his friends involved in minor crimes consistently attempt to draw him back into that lifestyle. Simultaneously, other storylines unfold: the mother's increasing frustration with her husband’s behavior, his sister Leila (played by Touriya Haoud) spending time with a Dutch boy while resisting an arranged marriage her father desires. And then there's the younger brother who earns money by photographing Moroccan girls wearing makeup and using those images to extort them. Many Moroccan girls in the Netherlands lead dual lives—reserved and traditional at home, but modern and confident when outside their parents’ awareness. In several ways, this film marks a milestone. It is the first to confront prejudices experienced by Moroccans living in the Netherlands, and also features such a large number of Moroccan actors in leading roles. Experiencing this movie in a theater filled with both Dutch and Moroccan viewers could be quite revealing; occasionally you'll notice some audience members laughing or applauding while others don’t understand the humor. Overall, it is an enjoyable film with many likable characters. The dramatic conclusion doesn’t always resonate with audiences primed for laughter, and they may miss some of the underlying issues being presented. The ending feels somewhat prolonged, but ultimately delivers a satisfying mix of optimism and cynicism.
On October 3, 2026
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