Be warned or suffer the results. The Yellow Tomahawk comes from director Lesley Selander and writers Harold Jack Bloom and Richard Alan Simmons. The cast includes Rory Calhoun, Peggie Castle, Noah Beery Jr., Warner Anderson, Peter Graves, Lee Van Cleef and Rita Moreno. Les Baxter composed the music and Gordon Avil handled the cinematography. Scout and tracker Adam Reed (Calhoun) receives a yellow tomahawk from Cheyenne warrior Fire Knife (Cleef). It’s meant for Major Ives (Anderson), intended as an alert to evacuate women and children before an attack. Ives refuses to acknowledge the danger... It's another fine Western film from the nineteen fifties that fans of the genre should try to find, and it provides yet another reason to recognize Calhoun’s talent, which was often overlooked during his career. The plot uses familiar elements, but it’s refreshing to see a script that shows understanding toward Native Americans, with Van Cleef leading them as they fight back against land theft and seek to protect their territory. There's dignity in their actions, which strengthens the believable bond between Fire Knife and Reed. The film also has some suggestive moments, beginning with Reed and Katherine’s (Castle) initial encounter – goodness! The romantic connection feels rushed and predictable considering what happened earlier, but that doesn’t detract from the quality of the writing. It's a plus that Reed isn't portrayed as an invincible hero; he is openly shown to be just as vulnerable in a fight as anyone else—twice, actually. The filmmakers weren't aiming for something like a superhero comic. There are surprises along the way, including one significant plot twist, and the action sequences, directed by Selander, are well-executed and thrilling. The scenes of violence will stick with you, illustrating how brutality leads to more brutality, while Beery and Graves add welcome presence. It was filmed in color but shown on television in black and white, which is disappointing for Western enthusiasts because the beautiful Kanab locations practically beg to be restored to their original colors. That’s unfortunate. Some viewers might not connect with the film's themes, but even if you set those aside, there’s a great deal here that fans of Westerns can appreciate. 7/10

Source on TMDB