Bear is a quiet, reserved young man who works at a music store and harbors a secret, intense affection for Nikki, a friend and coworker. Consumed by his unreturned feelings, Bear obtains an unusual supernatural item known as "The Weeping Willow," which supposedly can make wishes come true. Unaware of the potential repercussions, he wishes that Nikki would love him “more than anything else in this world.” The wish immediately takes effect, but what initially seems like a perfect scenario quickly turns into something awful: Nikki’s manufactured feelings transform into an unsettling and overwhelming obsession. Her warped devotion obliterates her sense of reason, leading to a frightening decline marked by violence and obsessive behavior that puts both their lives and the lives of those around them in danger. "Obsession" is remarkable, considered one of the most significant releases in modern horror filmmaking. Despite having a very limited budget—just $750,000—director Curry Barker accomplishes something many big-budget Hollywood productions can’t: creating an atmosphere of suspense using only ideas, innovative staging techniques, and straightforward storytelling. Barker draws inspiration from films of the 1980s, adapting the familiar story of magical wishes (similar to W.W. Jacobs' "The Monkey's Paw") and placing it in a disturbing psychological setting. The horror becomes intensely personal, exploring mental and philosophical anxieties while confronting us with frightening aspects of human vanity. It suggests that forcing someone into love isn’t about genuine affection, but instead comes from a desire for power and an inability to cope with loneliness or rejection. A bit of guidance for Curry Barker, who likely won't see this review but is still early in his career: the frequent use of sudden loud noises feels like a common problem—a combination of lazy writing, misunderstanding of how people react psychologically, and typical Hollywood pressures to sell tickets. Avoid imitating the worst habits of late-period Shyamalan films. Instead, make full use of your artistic vision and creativity. Abandon those predictable, cheap musical cues, and don't be afraid of quiet moments. Real horror can be found in the stillness of classic movies like "Nosferatu," "Les Diaboliques," or "Rosemary’s Baby," directed by Murnau, Clouzot, and Polanski respectively.

Source on TMDB