There's been considerable discussion about whether this represents one of Martin Scorsese's less impressive films, but I believe that misdirects attention from where the true strength lies. The undeniable highlight is the captivating performer known as “Francine,” portrayed by Liza Minnelli. She embodies a certain hopeful quality when she meets the calculating saxophonist "Jimmy" (Robert De Niro) at a New York City celebration marking VJ Day in 1945. Initially, she’s unimpressed with the practiced lines he's been using on women all evening; however, various factors lead them to spend more and more time together, ultimately developing feelings for each other. Each character has their own aspirations, and as Francine gains recognition with the help of a supportive producer and Jimmy establishes his jazz club, their relationship faces inevitable challenges and likely a limited lifespan. The narrative itself isn't particularly remarkable, nor is the production style, which feels like a diluted version of Bob Fosse’s work throughout. It’s the songs by Kander and Ebb, Minnelli’s flawless delivery, and some equally evocative music featuring Clarence Clemons that transports you to a post-war city yearning for dreams and the possibility of their realization. The film also makes it clear that kindness doesn't always prevail; those who are aggressive tend to be the ones who remain standing, and the lyrics of “New York, New York” offer an accurate depiction of a place where people constantly strive to gain an advantage over one another. The final thirty minutes mainly consist of beautifully staged musical sequences showcasing Minnelli’s talent, with De Niro providing understated support. Honestly, I experienced it more as something to listen to than watch. A good sound system enhances the experience, but if you're not a fan of musicals, this might not be for you.

Source on TMDB