The potential for irony to enrich a story depends on careful execution; when mishandled, a narrative can quickly unravel, which unfortunately occurs in this film inspired by recent events. Damian Kocur, who wrote and directed, presents his second feature about a Ukrainian family of four whose vacation in the Canary Islands is disrupted when they discover their homeland has been invaded by Russian forces, leaving them stranded on Tenerife. The situation’s irony lies in the fact that while Ukraine faces turmoil, this family finds themselves safe and enjoying an idyllic island setting, even receiving complimentary meals and lodging until they can arrange a return home or find refuge elsewhere. It's difficult to imagine how anyone could truly relax under such circumstances, given the looming uncertainty about what comes next. This mounting pressure inevitably sparks friction within the family and creates awkward interactions with other guests—particularly those from Russia—as their lives become like a personal battleground. The concept initially seems promising, especially considering its connection to current affairs. For a time, it delivers on that promise. However, the film gradually loses momentum and substance. Around the 45-minute mark, the plot begins to wander without clear purpose, struggling to maintain audience engagement. It feels as though the filmmaker’s grip on the story weakens, leading to an abrupt ending. The remainder of the movie is filled with repetitive domestic disputes and extended shots of ocean waves—symbolism that becomes overly apparent and tiresome. The initial ironic setup diminishes because it isn't developed effectively, giving way to predictable imagery and a lack of direction. It’s disappointing that this film couldn't maintain its strength throughout. If it had, it could have been a compelling and thought-provoking production. Instead, the final product feels as disheartening as the events it portrays.

Source on TMDB