Liza, portrayed by Ginger Rogers, works as the editor of a high fashion magazine and frequently clashes with her employee, Charley, played by Ray Milland. She also finds herself continually attempting to satisfy the photographer Paxton, who is brought to life by Mischa Auer. Liza tends toward being anxious and overwhelmed, prompting her doctor to suggest she consult a psychotherapist, portrayed by Barry Sullivan. Although psychotherapy was still relatively new at the time and viewed with some doubt, she eventually consents, and he quickly recognizes that this divorced woman has unresolved emotional problems. To assist her, he guides her through various situations intended to uncover the origins of her distress. This allows Rogers to participate in several dreamlike segments, ranging from more effective musical numbers to less convincing romantic scenes involving Curtis, played by Jon Hall, and her former husband, Nesbitt, portrayed by Warner Baxter, whom she still harbors feelings for. The film isn't awful, but it feels disjointed, and there’s a lack of suspense regarding how things will end, as the comedic parts don’t generate much amusement. It shines brightest when Milland and Rogers share scenes together, though those moments aren't frequent enough to carry the entire movie. I did appreciate the vibrant visuals and creative photography, but overall, I was somewhat let down.

Source on TMDB