It’s possible to be unlike one another, but taking human lives is never acceptable! Monster presents Aileen Wuornos's dark story—a prostitute and one of America's most infamous female serial killers. Drawing from the known details surrounding her life and death, the movie mainly examines the final year she had before imprisonment. Following a peculiar romantic connection with Selby Wall, Wuornos begins to kill clients after enduring years of abuse at the hands of men. Patty Jenkins’ debut feature film is sorrowful and impactful. While it may lean slightly toward reinforcing Wuornos's own manufactured persona as a "monster," the movie still manages to balance compassion and disgust in a way that makes for an intriguing, albeit unsettling, watch. Charlize Theron undergoes a dramatic physical change to embody Wuornos, becoming nearly unrecognizable. She gains weight and wears makeup that ages her face, delivering a remarkable performance as the troubled woman on the brink. Theron remains steadfast throughout the film without resorting to sensationalism. Eliciting empathy for such an unlikeable person is a difficult feat; then, to immediately shift into monstrous behavior with conviction? That’s almost unbelievable. Christina Ricci provides solid support as Selby. Ricci portrays Selby Wall—a young woman unaware of the dangerous course she's taking—with nuance and skill. Considering Theron’s powerful performance, it speaks volumes that Ricci adds her own subtle qualities to the film, highlighting the oddness of their relationship. The movie is challenging, and when the credits roll, viewers may feel some compassion for Wuornos and the life she led. Whether that's appropriate or not is something each person must decide for themselves. It’s also uncertain if that was even Jenkins’ goal. Regardless, Monster remains a stark exploration of a woman driven to desperation, offering audiences a glimpse into a very raw reality. 7.5/10

On September 20, 2026
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