Bob Hoskins delivers a very believable performance as "George," a grumpy and increasingly troubled small-time criminal recently freed after seven years in prison. He returns to a world that seems indifferent to him, finding himself employed as the driver for high-class prostitute “Simone” (Cathy Tyson), ferrying her between wealthy clients while his former spouse makes it clear he’s not welcome at home or able to see his daughter. At first, he doesn't seem particularly enthusiastic about his new job, but over time, they develop a growing understanding of one another and he finds himself falling for her, though the feelings are largely on his side. As their connection deepens into trust, “Simone” begins sharing more with him and asks for his assistance in locating another sex worker, "Cathy" (Kate Hardie), whose limited prospects and drug addiction leave her exposed to danger on the harsh streets dominated by the unscrupulous “Mortwell” (Michael Caine). Before long, “George” is caught up in a situation that puts him at odds with people he once knew, defending a woman who has her own hidden motives—and it’s a precarious position to try and get out of. There's an undeniable sadness woven into the narrative, and both Hoskins and Tyson give moving portrayals as their very different lives become intertwined. He is forced to confront unfamiliar aspects of his former associates, his city, and himself, revealing a harsh and exploitative industry where some prospered by taking advantage of those less fortunate. Neil Jordan’s writing is powerful here; however, the film also incorporates moments of humor and benefits from a strong supporting ensemble that adds depth to a plot filled with unexpected developments and even includes references to Elton John's music. It shows its age somewhat, but remains worthwhile viewing.

Source on TMDB