Sir John (Anthony Quayle) serves as Her Majesty’s consul in Florence, a position that affords him a beautiful villa within a city steeped in history and beauty, where his family resides. A familial tragedy forces him to confront personal loss while simultaneously providing support for his two young sons. Andrea (Stefano Colagrande), the older of the boys, is privy to his father’s confidence, whereas Milo (Simone Giannozzi) is younger and initially believes their mother is simply away. The two brothers are incredibly close and find great amusement in teasing their new nanny, Luisa (Adriana Facchetti), who seems determined to keep Milo confined to bed as much as possible. Eventually, they succeed in driving her out, but it becomes apparent that their father shows a preference for the younger son. Milo is at an age where he desperately wants to join his brother in everything he does, which predictably leads to some trouble—the bus driver or mischievous Uncle Wili (John Sharp) can attest to that. Recognizing that he’s growing distant from Andrea, the diplomat attempts to spend more time with him, and it's then that we truly grasp how much this boy adores his father—but does his father feel the same? This is undoubtedly one of Quayle’s most approachable performances; while he retains a certain authority, he also displays a gentler side as the story unfolds. However, the film ultimately belongs to the two children. They bring a wonderfully natural and engaging quality to their roles, creating the impression that they might actually be brothers, working seamlessly together—even when Milo is being difficult or Andrea seeks something more from his father. Their dialogue, along with occasional directorial choices, serves as a reminder of recent grief, although this is conveyed very subtly by these three characters who are coping, as best they can, with the circumstances life has presented them—though not always understanding how it’s impacted others. Remarkably, for a film set in such an idyllic Italian city, the location itself isn't emphasized; it could be virtually anywhere, as the focus remains entirely on these three individuals. While I strongly disliked the ending, I genuinely enjoyed the movie overall.

Source on TMDB