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Miss Congeniality (2000)

2000 • 1h 50m • Action, Comedy • PG-13
On October 3, 2026
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All reviews

Filipe Manuel Neto on Miss Congeniality

6/10 · Jul 26, 2022

This is easily among the most pleasant and charming comedies from the 2000s. It’s not flawless by any means, but it succeeds in what it sets out to do, providing about ninety minutes of agreeable and cheerful entertainment. It's one of those movies that isn’t perfect, yet works well for a family viewing experience and doesn’t feel like a waste of time. The initial idea behind the story is quite promising: when a genuine danger arises concerning the safety of the Miss United States of America competition, the FBI decides to send an undercover female agent. The trouble begins with everything that follows from there; the script pushes things so far that it becomes hard to believe, even though it’s also funny. Gracie Hart, the central character, isn't simply an FBI agent who is tough and has a strong personality. She’s practically a woman with masculine traits, behaving like a troll, then suddenly transformed into something resembling a model in what feels like no time at all! It stretches credibility to the breaking point and seems ridiculous. However, from that point onward, the film flows more smoothly, featuring sharp dialogue filled with clever jokes and providing actors with good material. Sandra Bullock takes the lead role and delivers one of her most well-known performances here. Beyond being very capable and doing a superb job, she gets to portray a likable character who’s easy for audiences to connect with and root for. Michael Caine is also present, in fine form and playing a humorous part. Benjamin Bratt, Heather Burns, Candice Bergen, and William Shatner all contribute as well. Given that it's a lighthearted comedy, the film doesn’t focus heavily on technical elements. Still, I want to mention a few things: the special effects and sound design are very good throughout, and the same goes for the set designs, costumes (with particular attention paid to Bullock’s wardrobe), and props. On the other hand, I thought the cinematography was rather bland, and the editing felt uninspired. The musical score is adequate, mostly featuring Bosson's rendition of “One in a Million.”

Source on TMDB