The reflections are startlingly clear. Mirrors is an American adaptation of a lesser-known Korean film titled Into the Mirror. The story centers on Kiefer Sutherland portraying a police officer struggling with alcoholism who, while suspended from duty, finds himself employed as a security guard at a large, damaged department store and begins to witness frightening visions within its numerous mirrors. One might assume Mirrors was unsuccessful. Film critics largely dismissed it, and horror fans were quite split on the movie, which is often the case for big horror releases. Despite this, it proved commercially successful worldwide and maintains a respectable 6.2 average rating on IMDb—a high score for a film that inspires such disagreement among horror enthusiasts. The runtime of Mirrors feels excessive; nearly two hours seems longer than necessary. The script contains some weak dialogue, with certain scenes feeling melodramatic, while others present plot developments so strange they’re baffling, especially considering the otherwise well-defined setting of the department store. Still, does Mirrors manage to establish a truly unsettling atmosphere—the store's interior is a haven for creepy visuals—and deliver startling moments? Is it visually appealing, with equally impressive sound design? And do Sutherland, along with Paula Patton in her role as his wife, rise above the script’s shortcomings and offer convincing performances? The answer to all of those questions is yes. The conclusion doesn't feel like a letdown or an affront to viewers. It isn't without faults, but they aren't necessarily deal-breakers for horror fans seeking chills, a sense of oppressive dread, and some stylistic direction from the filmmaker (Alexandre Aja). If you haven’t experienced it yet, I recommend checking it out; you might be pleasantly surprised by what you discover. 7.5/10

Source on TMDB