Edward Dmytryk directs Mirage, which Peter Stone adapted from Howard Fast’s novel. The film features Gregory Peck, Diane Baker, Walter Matthau, Kevin McCarthy, Leif Erickson, and George Kennedy; Quincy Jones composed the music, and Joseph MacDonald was in charge of cinematography. David Stillwell, portrayed by Peck, discovers he has Unconscious Amnesia, having lost memories of the previous two years. He needs to uncover what transpired because he may have a romantic partner, is being pursued by suspicious individuals, and possibly even committed murder. Two decades after Gregory Peck’s appearance in Alfred Hitchcock's complex psychological thriller "Spellbound," he takes on a similar role with limited success. The plot feels somewhat forced, with certain characters appearing to exist solely to advance the story—it’s unclear what Baker’s purpose is. Furthermore, the lackluster conclusion fails to resolve the suspense and mystery that Dmytryk initially built so effectively. However, the film benefits from MacDonald's striking black-and-white photography, which creates a distinctive atmosphere, and the use of actual New York locations adds a sense of authenticity. Matthau delivers a standout performance, overshadowing Peck’s more restrained work, while Kennedy and McCarthy are effective as intimidating enforcers and shady figures. It isn't a must-see for fans of Peck or Dmytryk, nor is it particularly remarkable within the genre of political/mystery thrillers, but there's enough to hold your attention and keep it above average; Matthau’s contribution alone makes it worthwhile. 6/10

Source on TMDB