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Meg 2: The Trench (2023)

2023 • 1h 56m • Horror, Action • PG-13
On September 29, 2026
#8476▼ 721
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CinemaSerf on Meg 2: The Trench

5/10 · Aug 12, 2023

While "Meg: The Trench" (2019) isn’t a particularly strong film, it falls short of the original “Meg,” and feels like a confused imitation. Jonas (Jason Statham), now operating as an environmental enforcer preventing ocean pollution, finds himself in a perilous situation and is rescued by Mac (Clff Curtis) and Rigas (Melissanthu Mahut), returning him to the research facility. There, he reconnects with Jess (Skyler Samuels), DJ (Page Kennedy), and the thrill-seeking Jumping (Jing Wu), who are caring for the offspring of the last megalodon. The group then heads to a secluded installation to examine other creatures residing beneath a layer of ice, naturally positioned to prevent unwanted mixing. However, they discover that others have also recognized the potential wealth hidden 25,000 feet below sea level, leading to conflict with Montes (Sergio Peris-Mencheta). This introduces betrayal, deceit, and numerous explosions—releasing not only megalodons but also a massive octopus into the ocean, threatening vacationers at “Fun Island.” The question is whether Jonas and his team can confront these four colossal creatures before they consume all the tourists. It might have been more enjoyable if the film had skipped the initial setup and gone directly to the underwater action, featuring large fish and special effects. Instead, too much time is spent on the surface introducing characters, with excessive dialogue—though a few weak jokes provide slight amusement—leading to a predictable and rather formal conclusion. The performances are unremarkable, continuity problems abound, as does the editing, and the substantial funding from Chinese investors results in awkward shifts between English and Mandarin that feel more like boardroom compromises than genuine cinematic choices. Even Statham’s star power can't elevate this from a forgettable blend of "Jaws" and "Jurassic Park," relying heavily on computer-generated imagery. It is worth seeing on the big screen, but watching it at home would likely be even less satisfying—though that seems difficult to imagine.

Source on TMDB