There’s much to appreciate about "MaXXXine," Ti West's newest installment in his horror trilogy, even though it doesn’t entirely succeed in its goals. The entire undertaking feels like what one of the characters describes as a “B-movie with A+ ideas.” There is plenty of blood and violence for fans of slasher films, but there's also an underlying complexity that arises from weighty subjects concerning sex, opportunity, religion, and the darker side of Hollywood. The film takes place in Los Angeles during the mid-1980s and follows adult film performer and aspiring mainstream actress Maxine Minx (Mia Goth) as she finally gets her chance at a bigger break. She’s been cast in a small role in a horror movie sequel and is scheduled to work with rising director Elizabeth Bender (Elizabeth Debicki). Things appear promising for Maxine's career, but a mysterious stalker who seems to be targeting Hollywood actresses has her directly in his sights. When a series of murders appears connected to her, Maxine worries that secrets from her past will come to light. The initial portion of the film is also its strongest point, and West fully embraces the decadence and danger inherent to the backdrop of sleazy Hollywood. The movie, filmed with a vintage look and feel reminiscent of the Eighties, has a neon-lit, blood-soaked aesthetic that feels like it’s emerged from an exploitation cinema time capsule. It's a well-executed tribute, evident in everything from the cinematography to the soundtrack to the costume design. The casting is excellent throughout, with notable performances from Kevin Bacon as a threatening antagonist and Giancarlo Esposito as Maxine’s lawyer, Teddy Night. (Even the smaller roles are substantial, featuring strong contributions from Michelle Monaghan, Moses Sumney, Bobby Cannavale, and Sophie Thatcher). Goth is again impressive as an intelligent woman driven by ambition, bringing together a perfect combination of street smarts with a relatable vulnerability. West also avoids portraying his main character in a negative light, which feels refreshing. The film treats sex work and the adult film industry as legitimate professions and depicts Maxine as a strong, self-determined woman who is in control of her own future. The latter portion of the movie falters, culminating in an ending that seems both predictable and underwhelming (at least initially). The conclusion invites considerable discussion, which will likely divide viewers. I enjoy it when a film can be viewed in multiple ways, but this might disappoint those who prefer clear-cut answers. Ultimately, "MaXXXine" sets the stage for a potential fourth movie featuring the character, something I would certainly like to see.

Source on TMDB