James Wilby delivers a standout performance as E.M. Forster’s central character, who develops an attraction to his fellow student "Clive" (Hugh Grant). The film highlights the illegality—and social disapproval—of same-sex relationships within the Oxford elite, despite many having experimented with it themselves. “Clive” avoids serious commitment, prioritizing societal acceptance and his privileged position, whereas “Maurice” appears more steadfast in his identity, experiencing escalating frustrations as a result of his less adaptable sexuality. During a visit to see his friend "Anne" (Phoebe Nicholls) and her husband, he meets their appealing gamekeeper "Scudder" (Rupert Graves). Despite their differing social statuses, they begin a relationship that carries potential risks for both their reputations. Though the story unfolds within the confines of upper-class England, it serves as a powerful illustration of life under restrictive laws—laws that could have resulted in imprisonment for men found with other men. The film boasts a strong supporting ensemble including Simon Callow, Billie Whitelaw and Judy Parfitt, characteristic of Merchant Ivory’s high-quality productions (I believe Helena Bonham Carter also appears). The visuals – the locations, costumes, and overall design—contribute to an undeniable sense of realism and polish. For my part, Graves truly carries the film; his character's playful nature, good intentions, and innocence perfectly embody the flaws inherent in a society that condemned and punished same-sex attraction. With some pointed criticism directed at medical professionals and their often dubious practices, this is a refined and elegant portrayal of a life that never quite feels genuine.

Source on TMDB