I don’t know where I'd be without you. The film takes place in London, England, during the weeks leading up to Christmas, focusing on several couples experiencing the ups and downs of relationships. We begin with a narration from Hugh Grant who explains that when he feels overwhelmed by negativity, he thinks about Heathrow airport’s arrivals area—a spot where people meet loved ones returning home, demonstrating love in its happiest form. He adds that, as far as he knows, all the calls made during the 9/11 attacks were messages of affection, not anger. These thoughts, though a bit serious for an introduction, effectively prepare viewers for Richard Curtis’s (writer and director) intentions. A group of talented British and Irish actors, along with American Laura Linney, contribute their skills to Curtis's collection of interwoven stories. The film's construction is straightforward, despite the number of narratives being presented, so there’s bound to be something for everyone—something to appreciate or even dislike. It definitely leans into sentimentality; it feels as abundant as a Christmas dinner. Some plot points require a suspension of disbelief, but only someone with an unfeeling nature could genuinely criticize *Love Actually*'s pervasive message of love. The film is often humorous too. Curtis, building on previous writing successes like *Four Weddings and a Funeral*, proves himself to be a skilled comedy writer, especially in the portrayal of Bill Nighy’s aging pop star, Billy Mack. There's something for everyone, and likely something that many viewers can relate to. It's an enjoyable and moving film that should lift the spirits of those who feel down during the holidays. With thoughtful writing, strong performances (from Nighy, Emma Thomson, Colin Firth, and others), and a worthwhile soundtrack, *Love Actually* is successful. 8/10
On September 23, 2026
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