The film evokes the atmosphere of a documentary as we observe the quiet routines of a young boy, Joseph Boudreaux, living on the bayou. He resides with his parents but frequently occupies himself in a boat, fishing for large catfish and sometimes impulsively attempting to catch an alligator—an endeavor usually overseen by his raccoon companion, who generally prefers to remain safely ashore. During one excursion downstream, he comes across some men constructing a new oil rig. They are welcoming, impressed by his abilities as a fisherman, and willing to answer his questions. However, he gradually becomes aware that their presence on the river could permanently change his way of life and its connection with nature—particularly if they strike a valuable deposit of crude oil. The film’s deliberate pacing mirrors the rhythm of the boy's existence and effectively highlights the effect of encroaching industry on him and his family. The cinematography showcases both the local wildlife and the simplicity of his lifestyle, while the minimal dialogue allows the visuals and our own thoughts to carry significant weight. It resembles a 1940s “not in my backyard” situation, considering the limited opposition at a time when the country was eager for oil to fuel its growing automobile industry and energy needs. The experience is understated, but ultimately leaves a strong impression.

Source on TMDB