The movie portrays a family experiencing grief in an unusual way. It’s a film produced internationally, notably with European involvement, filmed in English and set in New York. The narrative centers on a husband and his two sons—the children of a well-known war photographer who died recently in a car accident. The story explores how they deal with their loss, particularly the younger son's strained relationship with his father. They had grown distant from one another, but circumstances force them to reunite. It’s not your typical exploration of mourning; at times, it seemed like the filmmakers forgot that was the central theme. The storytelling quickly jumps to other subjects such as a baby being born, an extramarital affair, and attempts to win over a girl whom the son likes. As a result, I ended up seeing something quite different from what I expected—not necessarily a bad thing, just a welcome change of pace, with frequent shifts in time to reveal important events. The film’s focus divides into three sections, each highlighting one family member and appealing to distinct audiences: older viewers, middle-aged individuals, and teenagers. The actors deliver strong performances, and the director did commendable work, though this project doesn't quite reach the standard of his previous films. It would be worthwhile to watch; it avoids typical American movie tropes because it was developed with more care and has a satisfying resolution. 6/10
On September 25, 2026
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