This thriller spends a noticeable amount of time featuring Bill Clinton; thankfully, there are no visible cigars as his Presidential image oversees FBI agent "Carter" (Blair Underwood). Carter leads an inquiry into the killings of families within their homes. There's no indication of outside involvement in any of these cases, with each father discovered to have taken his own life after murdering everyone else. However, fellow agent "Harker" (Maika Monroe) believes there’s considerably more at play than what meets the eye. She possesses an almost intuitive ability regarding such matters and soon she and Carter are pursuing the character referenced in the title—the sparingly featured but impactful Nicolas Cage—who may or may not be responsible for puzzling messages found near each crime scene. A collection of unsettling dolls plays a key role in Harker’s theories; these child-sized figures, crafted from porcelain and containing mysterious aluminum spheres, spark questions about their purpose. "Harker" might gain some answers from her mother, "Ruth" (Alicia Witt), who isn't entirely lucid. As the detective remembers an encounter with a stranger from years past, speculation arises concerning Ruth’s possible involvement. The narrative is unusual, blending sensible elements with others that seem random, making it difficult to understand the actions of the characters and their motivations. The rather violent ending proves disappointing; it feels hurried and attempts to resolve years of mystery through brief conversations—I even questioned whether a follow-up was planned given how quickly everything concluded. Monroe performs admirably in her role, as does photographer Andres Arochi, who contributes to an almost suffocating atmosphere that significantly increases the story's tension. It isn’t particularly frightening, but it adopts a unique method of generating horror through mental stimulation rather than visual displays—and this approach is largely successful.

Source on TMDB