The premise held considerable appeal: a company striving to cultivate the perfect flower at a horticultural competition. When Emily Beecham and Ben Whishaw’s characters engineer a bloom releasing happiness-inducing pollen, they believe they've achieved success. Her character even takes one home as a present for her child, naming it "Little Joe." Like in “Jurassic Park,” the plants are supposedly unable to reproduce—at least that’s what they think, but echoing Jeff Goldblum’s famous line, "nature finds a way.” The difficulty lies in how the plants choose to continue their existence; the method is so tangled and slow-moving that I lost engagement well before the film reached its climax. Neither of the leads truly stands out—it seemed more focused on hairstyles: hers is dyed orange, while his usually full hair appears deliberately messy thanks to Phénix Brossard. Kerry Fox’s role possesses a degree of complexity absent from the others; otherwise, it felt like something created for television rather than cinema.

Source on TMDB