**An Unexpected and Wild Journey.** Coming from the writer and director of 'Human Capital,' this is a road movie full of enjoyment, excitement, and heartfelt moments. It centers on two women embarking on an unplanned trip to settle some unresolved matters. There's a theme of self-discovery present, but it becomes quite chaotic, as the title suggests. Those familiar with Paolo Virzi’s work will likely have a good idea of what to expect. The story begins when Donatella, newly arrived at a mental institution, is tricked by Beatrice, who has been there for some time. Despite their differences, they share unfinished business outside the facility. An unlikely friendship develops between them, and one weekend, circumstances allow them an opportunity to escape. The rest of the film follows their journey and how it concludes. The women aren't actually ill or in danger that necessitated their institutionalization; the movie explains why. Initially, there’s a straightforward introduction to their situation. While the beginning is promising, the section between the first act's end and the second act's start felt somewhat predictable. It features familiar tropes of people escaping – wandering around and reveling in newfound freedom. I found it to be a good film, though not quite what I anticipated. The movie really improved once the second half began; I even grew to love it. What started as a seemingly pointless adventure evolved into something more meaningful, addressing issues that were previously hinted at. We learn about each woman’s life before the story begins, and their journey ends when they make choices beneficial to themselves and those around them. It's somewhat sad, but ultimately feels like a proper resolution. > "A mother's love is all giving, never expecting anything in return." The two lead actresses were excellent. This marks Valerina Bruni’s second collaboration with the director, and she delivers an even stronger performance than before due to the greater scope of her role. I don't recall having seen Micaela Ramazotti previously, but she was also very good—both in her acting and appearance. It would be unfair to single out one as superior; they were both fantastic. Their characters were developed in a way that reflected this dynamic. The film essentially revolves around them, and their performances are memorable. It's a worthwhile film, though I don’t believe it will receive an Oscar nomination since the Italian film board has already selected another entry for that honor. However, it should certainly win some international awards. If made in Hollywood, it would likely be considered average because this one has a distinct Italian flavor. The craziness is presented through an Italian lens, focusing on middle-aged women’s perspectives, but it's something everyone can enjoy. I’ve seen several good Italian films this year, and this is among them. I definitely recommend it. It runs close to two hours, but the pacing improves as the story unfolds. Keep in mind that while there are other films with similar themes, this is one of the best you'll find. Ending on a high emotional note was very effective, especially for those who appreciate that kind of storytelling. I hope you don’t miss it. I am also eager to see what the director does with his first English-language film.
On September 23, 2026
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