_Leave no Trace_, directed by Debra Granik and written with Anne Rosellini from Peter Rock’s novel _My Abandonment_, presents itself as a darker reflection of Matt Ross's _Captain Fantastic_. The story centers on Will (Ben Foster), a veteran grappling with PTSD, and his daughter Tom (Thomasin McKenzie), who live secluded within a national park in Portland, Oregon. Their lifestyle embodies principles reminiscent of Ralph Waldo Emerson’s concept of self-reliance—individual authority, nonconformity, solitude, and the pursuit of personal truth, especially important to Will's sense of freedom. However, their existence is disrupted when Tom is spotted by a jogger, triggering an investigation by park authorities and social services. Will reacts strongly, feeling his autonomy has been violated and referencing Iain King’s assertion that interference in someone's independence should only occur if they are incapable of understanding what’s in their own best interest—a condition he clearly believes does not apply to him or Tom. While the film doesn't explicitly reference philosophical theories, familiarity with them provides a useful framework for understanding Will’s perspective. It isn't necessary to know his stage within Lawrence Kohlberg's stages of moral development to appreciate the film, but it certainly enhances the viewing experience. _Leave no Trace_ defies conventional filmmaking expectations; extended periods lack traditional conflict, instead offering observations of Will and Tom's daily routines. The plot is minimal, character development subtle, with a focus on mood and tone conveyed through actors’ actions rather than dialogue. This places immense importance on the performances, which are fortunately exceptional: Foster portrays Will as someone hardened by experience and averse to triviality, while McKenzie embodies a daughter yearning for a normal childhood yet determined to please her father. A poignant moment occurs when they must leave abruptly; he instructs her to pack only essentials, and she secretly includes a toy horse—a detail revealing much about both characters. The film’s deliberate pacing is its strength and potential weakness. While accelerating the narrative would compromise Granik's intended atmosphere, it risks alienating viewers who might find it slow or overly focused on the two protagonists. When the story expands to address issues like the treatment of veterans, it does so only in relation to Will and Tom’s experiences. Notably, the narrative appears rooted in a belief about people’s inherent goodness; those interacting with Will and Tom, even social workers, are genuinely attempting to assist them. Ultimately, _Leave no Trace_ offers a respectful depiction of a man striving to navigate life on his own terms. It is a commendable film.

Source on TMDB