Lior Ashkenazi and Ronit Elkabetz deliver strong performances, though they’re hampered by a script that offers them little to utilize. There's considerable excitement surrounding the lengthy sex scene, which seems remarkable only in its length. Perhaps it garnered recognition from the Israeli Academy Awards because viewers unfamiliar with intimacy covered by fabric might find it novel? It feels as if the Cannes Film Festival needs to know: depictions of sexuality have arrived! The film isn’t unique in addressing arranged marriage or oppressive patriarchal systems; Indian filmmakers, including Mira Nair with "Monsoon Wedding," which won a Golden Globe, have explored these themes more effectively. However, this may be the first instance where every character is portrayed as an exaggerated stereotype lacking any depth. I noticed that Judith's young daughter seemed to question her own purpose in the story, and frankly, I shared that sentiment. The absence of any meaningful development for the characters, coupled with significant gaps in the narrative, makes it feel like promotional material for a group advocating for arranged marriages. It suggests, "Observe how vital our role is; otherwise, these young men might be forced to exercise their own judgment!" With a rating of 4/10, "Late Marriage" demonstrates that cultural relevance alone cannot compensate for a weak screenplay; it’s essentially shouting about culture with an unnecessary and explicit sexual encounter.

Source on TMDB