Sarah (played by Jennifer Connelly) finds herself stuck with babysitting duties for her baby brother Toby, and she’s clearly not happy about it. When his constant crying becomes unbearable, she jokingly asks the legendary Goblin King to take him away permanently! True to his word, the child vanishes, and Jareth (David Bowie) anticipates some appreciation from the girl. She quickly realizes that life without the little boy won't do, so she begs for his return. He agrees, but only if she can navigate the labyrinth protecting his castle – a task she has just twenty-four hours to complete! Fortunately, or perhaps not, she meets the goblin Hoggle, whom she persuades to guide her through, although he’s hardly reliable and that's what kicks off an entertaining sequence of events as they both confront the dangers of a maze populated by strange and unusual creatures – some helpful, others less so – while trying to beat the clock and find the boy. Jim Henson seems to have had a wonderful time here, bringing numerous fantastical beasts of all shapes and sizes to life on screen, alongside a plot that evokes "Monty Python" at several points, particularly with the valiant knight Sir Didymus and his apprehensive (or perhaps just clever) mount Ambosius – who is essentially a sheepdog! They also cross paths with Ludo, who has a friendly relationship with boulders of all sizes—a handy attribute as they find themselves dangerously close to the 'Bog of Eternal Stench,' which looks and smells so potent you can practically detect it in the cinema. Throughout everything, the scheming Jareth creates obstacles for her while also contributing a few memorable songs along the way. Bowie doesn’t appear frequently, but his presence is marked by a playful charisma (even if he seems somewhat awkward in his costume!). The visuals are wonderfully imaginative, seamlessly blending costumes with special effects and demonstrating energy and skill, and although there isn't much real danger, the film shares similarities with "The Wizard of Oz" in its narrative style. If possible, see it on a large screen—it’s significantly more impressive than watching at home, and it makes for an enjoyable experience.

Source on TMDB