Two young men lacking prospects find themselves working alongside a school music teacher (DJ Próvai), whose wife, Caitlin (Fionnuala Flaherty), is campaigning for the legal recognition of the Irish Gaelic language. Móglaí Bap and Mo Chara portray themselves as "low life scum," having learned to use their words as weapons from “Arlo” (Michael Fassbender). Arlo has arranged for his own death in a maritime accident, seemingly to evade authorities. With his mother refusing to leave the house, Móglaí and his friend begin to understand that genuinely expressive lyrics can bypass political maneuvering and connect directly with groups of people often overlooked by mainstream media, radio, and music. However, law enforcement, led by “Ellis” (Josie Walker), whose niece "Georgia" (Jessica Reynolds) is Mo’s intermittent romantic partner, quickly takes an interest in this challenge to the status quo. They've also drawn the attention of some radical republicans who object to the fact that a significant portion of their lyrics reference horse tranquilizers and other drugs mailed from overseas concealed within toys and DVDs. Caught between the police force and disgruntled paramilitary groups, as well as trying to keep his involvement hidden from his school and wife, these men have more than enough troubles. The film openly expresses republican viewpoints, and those who don’t share this perspective might find it objectionable; it's largely critical of Britain. Nevertheless, as their momentum builds, you naturally root for them and want them to attain a form of independence from the pressures impacting both their individual futures and the wider situation in their country. Their writing is sharp and witty, featuring humor, occasional violence, but ultimately delivering a message of hope and optimism that illustrates the idea that words can be more powerful than force – except here, it’s rap music. It's raw and harsh, and won't appeal to all viewers—but it warrants consideration.

Source on TMDB