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Klute (1971)

1971 • 1h 54m • Thriller, Crime • R
On September 24, 2026
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All reviews

John Chard on Klute

9/10 · Nov 16, 2013

The arrival of Bree Daniels fundamentally alters Klute’s existence. Klute comes from Alan J. Pakula, with a script by Andy and Dave Lewis, and features Jane Fonda, Donald Sutherland, Charles Cioffi, and Roy Scheider in the cast. Michael Small composed the music, and Gordon Willis was responsible for the cinematography. The story begins when businessman Tom Gruneman (Robert Milli) vanishes without explanation, prompting private investigator John Klute (Sutherland) to be brought in on the case. His search leads him to New York City, where he connects with Bree Daniels (Fonda), a high-end prostitute who had extensive contact with Gruneman. An awkward connection develops between Klute and Daniels, but when it becomes clear that someone is threatening her, Klute finds himself deeply involved in circumstances beyond what he anticipated. Alan J. Pakula, known for creating films filled with 1970s anxieties, uses a careful approach to make Klute a tense and unsettling neo-noir. He presents a New York City steeped in urban confinement, populated by individuals who are adrift, emotionally damaged people, and situations involving sexual violence. John and Bree are at the center of it all; two people trying to discover purpose in their lives, linked together through unfortunate circumstances. Their personalities hint at underlying depth, but this phase of their lives doesn't explore that. The central mystery isn’t particularly compelling, though it almost has to be, given how much attention Pakula pays to the main characters and the mood created by his restrained direction and Willis’s shadowy visuals. Fonda delivers a wonderful performance; she is a complex mix of emotions, alluring yet vulnerable, and her Academy Award was well-deserved. Sutherland also excels, concealing John's internal worries behind an outwardly calm demeanor. Scheider and Cioffi provide solid supporting performances as well. It’s a powerful neo-noir that celebrates excellent filmmaking, prioritizing narrative and character development over sensationalism. 8.5/10

Source on TMDB