It’s clear that Netflix is exploiting a particular fondness for Korean dramas, using it as a vehicle to deliver what feels like a politically charged message about dismantling established norms. The result is an action film—though calling it that feels generous—that's excessively flashy and self-important. It seems Western film festivals are eager to champion it, seemingly because of its association with progressive values; they appear to be setting the standards for artistic merit now. Ultimately, it comes across as a poorly executed imitation of Korean drama, burdened by contemporary political agendas and uninspired action sequences that won’t stick in your memory. It's disappointing given the presence of skilled actors. I don’t plan on watching Netflix productions anymore. I wish they would fail like Bud Light did, but I suspect it might be too late to reverse the trajectory for the United States and Western Europe—and even some countries influenced by Western culture. If you question my assessment or believe I'm being overly harsh, I suggest looking up Yuri Bezmenov’s lecture on ideological subversion; he outlines a series of stages that seem disturbingly relevant. To trigger societal upheaval and deepen divisions, the strategy involves fostering victimized groups, fueling their anger, and granting them influence. Promoting concepts like “equality” and “inclusion,” discrediting law enforcement, and undermining faith are all part of the process—steps designed to invert traditional values. This pattern of decline in Western societies seems irreversible. 1 out of 10

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