It’s rare to find a filmmaker who could confront the topic of rape directly and still elicit humor, yet Pedro Almodóvar seems to have pulled it off, largely due to Verónique Forqué’s consistently entertaining portrayal of the central make-up artist. We are introduced to her when she's called upon by her boyfriend, "Nicholas" (Peter Coyote), to prepare his son “Ramón” (Àlex Casanovas) for viewing. The story might have been more convincing if the young man had actually passed away! Soon after, he’s proposing marriage—unaware of his father’s involvement—and they're living together. A happy resolution? Not quite, because it comes to light that his mother took her own life—or did she? Victoria Abril plays "Scarface," a television personality who spends her time riding around on a motorcycle dressed in an outlandish outfit and filming from her balcony. Then there’s “Pablo” (Santiago Lajusticia), a lecherous porn star with a history of four consecutive appearances, and some peculiar habits when it comes to eating oranges. Perhaps the film's darkly comedic nature is so outrageously tasteless that it ultimately proves effective. There’s an underlying sense of mystery, but at its core, this feels like an opportunity for Forqué to showcase a character who satirizes both feminine and masculine extremes in a rather captivating way. Her life is chaotic, yet it’s uniquely hers! In fact, nearly everyone's existence seems somewhat disordered, and I found the experience quite amusing as we navigate through their lives. It isn't polished, and Coyote doesn't particularly shine, but it remains an interesting exploration of character that I appreciated.

On September 22, 2026
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